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含まれるバージョン

UAD Native
UAハードウェアを使用せずに、MacやPCで動作します。

Apollo リアルタイムとUAD-2
ApolloインターフェイスとUAD-2ハードウェアで高速に動作します。

システム要件:UAD Native プラグインは、macOS 10.15 Catalina 以降と Windows 10 と 11 の両方で動作します。システム要件は UAサポートページでご確認ください。

The ultimate collection of the most
revered optical compressor ever.

With its gentle, program dependent optical compression, and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world. In 2001, Universal Audio set the standard in analog emulation with the original UAD LA‑2A plug‑in.

Today, UA’s engineers have redesigned the LA-2A plug-in with more obsessive detail. The LA-2A Classic Leveler Plug-In Collection features immaculate models of three highly sought-after LA-2A units, giving you the most authentic emulations ever of this iconic compressor.

• rack and mix with three historic versions of revered Teletronix LA-2A Leveling Amplifiers, each with its own distinctive sonic attributes
• Record through a Teletronix LA-2A/LA-2 in real time with Apollo interfaces
• Dial-in ideal optical compression textures for vocals, bass, drums, and more
• Harness presets from LA-2A users Ross Hogarth, Darrell Thorp, and Vance Powell

The Teletronix Story

Teletronix founder Jim Lawrence first used photocells for controlling audio gain in the early 1960s. His ingenious optical compression design was a technological breakthrough, far surpassing the stability and transparency of earlier circuits. Universal Audio founder M.T. ”Bill” Putnam later purchased this patented technology, continuing to manufacture the LA-2A for years to come.

Three Historical Units

The Teletronix LA-2A Leveler Collection puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. Like the hardware, the LA-2A Silver, LA-2A Gray, and LA-2 models offer distinct variations in time constants, compression knee, headroom, distortion, program and frequency dependence, and more.

LA-2A Silver & Gray

With a brushed aluminum panel and original T4B gain reduction module, this cherished late-1960s “Silver” version of the LA-2A, manufactured by Bill Putnam, is perhaps the most flexible of the three plug-ins in the collection. Its fast time constant makes it suitable for the widest variety of program material, including transient-rich sources like drums and percussion. Jim Lawrence’s original mid-1960s “Gray” version the LA-2A maintains a more average time constant, providing a range of “medium-speed” compression.

The Original LA-2

The exceptionally rare, early 1960s LA-2 unit preceded the LA-2A by several years. It provides the slowest response and a unique “mellowed” sound due to 50 years of luminescent panel aging inside the T4 module. Use the LA-2 with legato tempos and vocal sources for a transparency and sublime mood unlike any other compressor.

“The UAD LA-2A and API Series plug-ins not only feel and sound like my hardware, they react the same when I push them hard. ”
– Mark Needham(The Killers, Neon Trees, P!nk)

“This sounds exactly like I hoped it would — real, warm, and 100% fantastic.”
– Vance Powell(Jack White, The Dead Weather, The Raconteurs)

“Turn up the input gain on the new UAD LA-2 plug-in and listen to the life it brings to your track. One word. Wow.”
– Darrell Thorp(Beck, Radiohead, Charlotte Gainsbourg)

“The LA-2A Classic Leveler Collection opens up a wonderful sonic palette that's rich and a pleasure to use.”
– Carl Glanville(U2, Billy Joel, Counting Crows)

“The UAD LA-2A Collection has the best models of the real hardware I've ever heard. It's like owning the real deal, that will never require a tech guy.”
– Jeff Juliano(John Mayer, Shinedown, Train)

“The UAD LA-2A is the first thing in my vocal chain. It brings unmatched attitude to lead vocals and sets the tone for songs.”
– Ivan Barias(Musiq Soulchild, Jill Scott, Estelle)

“I'm flipping out with the new UAD LA-2A Collection! Having the tonal and response variations between the different versions gives me more brushes to paint with, especially on bass guitar and vocals.”
– Ryan Hewitt(Red Hot Chili Peppers, The Avett Brothers)

“The LA-2A plug-in is the closest thing to my analog version that I have found.”
– Ross Hogarth(Van Halen, Ziggy Marley, Motley Crue)

“My vocal chain is an LA-2A, SSL E Series Channel Strip, an 1176LN, and a Precision De-Esser. They're amazing plug-ins.”
– Hector Delgado(A$AP Rocky, Selena Gomez, Jay-Z)

“The UAD LA-2A plug-in has become my go-to compressor for lead vocals and acoustic guitars. ”
– Ariel Borujow(Chromeo, Mac Miller, Madonna)

“To put it simply, the UAD LA-2A emulations sound more like a physical box with tubes and transformers. It’s the real thing.”
– Peter Katis(The National, Interpol, Jónsi)

“The UAD LA-2A and API Series plug-ins not only feel and sound like my hardware, they react the same when I push them hard. ”
– Mark Needham(The Killers, Neon Trees, P!nk)

“This sounds exactly like I hoped it would — real, warm, and 100% fantastic.”
– Vance Powell(Jack White, The Dead Weather, The Raconteurs)

“Turn up the input gain on the new UAD LA-2 plug-in and listen to the life it brings to your track. One word. Wow.”
– Darrell Thorp(Beck, Radiohead, Charlotte Gainsbourg)

“The LA-2A Classic Leveler Collection opens up a wonderful sonic palette that's rich and a pleasure to use.”
– Carl Glanville(U2, Billy Joel, Counting Crows)

“The UAD LA-2A Collection has the best models of the real hardware I've ever heard. It's like owning the real deal, that will never require a tech guy.”
– Jeff Juliano(John Mayer, Shinedown, Train)

“The UAD LA-2A is the first thing in my vocal chain. It brings unmatched attitude to lead vocals and sets the tone for songs.”
– Ivan Barias(Musiq Soulchild, Jill Scott, Estelle)

“I'm flipping out with the new UAD LA-2A Collection! Having the tonal and response variations between the different versions gives me more brushes to paint with, especially on bass guitar and vocals.”
– Ryan Hewitt(Red Hot Chili Peppers, The Avett Brothers)

“The LA-2A plug-in is the closest thing to my analog version that I have found.”
– Ross Hogarth(Van Halen, Ziggy Marley, Motley Crue)

“My vocal chain is an LA-2A, SSL E Series Channel Strip, an 1176LN, and a Precision De-Esser. They're amazing plug-ins.”
– Hector Delgado(A$AP Rocky, Selena Gomez, Jay-Z)

“The UAD LA-2A plug-in has become my go-to compressor for lead vocals and acoustic guitars. ”
– Ariel Borujow(Chromeo, Mac Miller, Madonna)

“To put it simply, the UAD LA-2A emulations sound more like a physical box with tubes and transformers. It’s the real thing.”
– Peter Katis(The National, Interpol, Jónsi)

“The UAD LA-2A and API Series plug-ins not only feel and sound like my hardware, they react the same when I push them hard. ”
– Mark Needham(The Killers, Neon Trees, P!nk)